Cover image for Olga Picasso
Olga Picasso
Title:
Olga Picasso
Author:
Philippot, Émilia, editor.
ISBN:
9782072822612
Physical Description:
311 pages : illustrations (some color), portraits ; 29 cm
General Note:
English edition of the catalogue published for the exhibition "Olga Picasso" presented at the Musée national Picasso-Paris, March 21-Sept. 3, 2017; at the Museo Picasso Malaga, Feb. 25-June 2, 2019; and at La Caixa Forum in Madrid, June 17-Sept. 22, 2019.
"Olga" appears also in Cyrillic script on title page.
Contents:
Olga's trunk / Picasso never had a Neoclassical period--just an Olga period / Muse and model -- Melancholy -- Olga Picasso as model: a domestic revolution / Story of a life -- Olga Picasso: between France and Russia / A new direction -- Motherhood -- Paul -- Metamorphosis -- On the screen -- Olga on the screen: another facet of Madame Picasso / Bathers -- Circus -- Studio -- Bullfights and crucifixions -- Olga in the 1930s: "the worst time of my life" (Pablo Picasso) / Eros and Thanatos -- Olga's lives / Olga's roles: her portrayal by biographers
Abstract:
"Olga Picasso" is a survey of works from the years 1917 to 1935, when Picasso was married to Russian ballerina Olga Khokhlova. More than 350 paintings, drawings, writings, and photographs chronicle Picasso's production during these interwar years. The exhibition shows how Picasso's feelings towards his spouse and muse shifted over the years, but also showcases the other themes preoccupying the artist at the time. Spanning 14 rooms over two floors, subjects range from the personal belongings of Kholkhova and Picasso's studio, domestic and family scenes, to bullfights, crucifixions, the circus, and more.

"From 1917 to 1935, Pablo Picasso shared his life with Olga Khokhlova, a dancer with the Ballets Russes whom he married in 1918. Until her death in 1955, Olga would carry the memory of their life together in a large steamer truck containing memorabilia from her career as a ballerina, along with many letters sent by her family that remained in Russia, and dozens of photographs from these years: Olga with Picasso, Olga with their son Paul, society events, trips to Barcelona, Naples, and Monte Carlo. These documents, some of which have never been published before, cast a new light on Olga's extraordinary destiny, the artistic output of the painter during this period, and the influence of his first wife over his work, long beyond their separation. Paintings, drawings, and etchings-from the classical portrayal of a pensive, melancholy woman, absorbed in reading sad news from her family, to the violent portrayals of the late 1920s-illustratre the dark metamorphosis to which the artist subjected his model and his own work, paralleling the changes in their married life over time." -- Back cover.
Added Corporate Author:
Bibliographical References:
Includes bibliographical references (page 305).
Field 805:
npmlib 11102890 N6853.P5 O55 os2 yh
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