Introduction: Art history and Sino-Japanese relations / Travels to Japan by Chinese painters and calligraphers in the 1870s and 1880s / Tea and the art market in Sino-Japanese exchanges of the late nineteenth century : Sencha and the Seiwan meien zushi / Modern antiquarianism and Sino-Japanese rivalry : Yang Shoujing in Meiji Japan / Welcoming the Japanese art world : Wang Yiting's social and artistic exchanges with Japanese sinophiles and artists / Moving onto a world stage : the modern Chinese practice of art collecting and its connection to the Japanese art market / Reforming calligraphy in modern Japan : the six dynasties school and Nakamura Fusetsu's Chinese "stele" style / Sites of visual modernity : perceptions of Japanese exhibitions in late Qing China / Japanese oil paintings in the first Chinese National Fine Arts Exhibition of 1929 and the development of Asian modernism / (Re- )Canonizing literati painting in the early twentieth century : the Kyoto circle / The Japanese impact on the construction of Chinese art history as a modern field : a case study of Teng Gu and Fu Baoshi / Patrimonies in press : art publishing, cultural politics, and canon construction in the career of Di Baoxian / New printing technology and heritage preservation : collotype reproduction of antiquities in modern China, circa 1908-1917