Cover image for Arts & crafts churches
Arts & crafts churches
Title:
Arts & crafts churches

Arts and crafts churches
Author:
Hamilton, Alec, 1949- author, photographer.
ISBN:
9781848223219
Publication Information:
London, UK : Lund Humphries, 2020.
Physical Description:
352 pages : color illustrations, maps ; 26 cm
Contents:
Introduction : What is an 'Arts & Crafts church'? -- Arts & Crafts churches in context : Architecture as art -- Arts & Crafts churches in context : Religion -- Arts & Crafts churches in context : Society -- Introduction -- The West Country-- The South of England -- The South East of England -- London and Middlesex -- The Home Counties -- The Marches -- The West Midlands -- The East Midlands -- The East of England -- The North West of England -- Yorkshire -- The North of England -- Wales -- Scotland -- Pre-cursor churches -- Demolished or threatened churches -- Other architects.
Abstract:
This comprehensive overview provides the first detailed account of the phenomenon of the Arts & Crafts church, examining nearly 200 of the finest examples, mostly built between 1884 and 1918 in England, Scotland and Wales. Arts & Crafts studies tend to focus on houses and furniture: churches were no longer central to architects' practice. A handful of well-known churches have been written about extensively - WR Lethaby's Brockhampton, John Dando Sedding's Sloane Street, Philip Webb's Brampton, Great Warley, Roker, Mackintosh's Queen's Cross. But these famous examples obscure the existence of scores of churches that express Arts & Crafts ideas every bit as vividly. And they are rarely set alongside each other, nor seen within the wider context of not only how they were built, but why: what was going on in society? These churches are visually arresting, with often quaint, at times far-fetched and capricious exteriors. Internally, they often contain beautiful elements, including reredoses, pulpits, lecterns, pews, doors, lighting, stained glass and altars. They also tell a fascinating story about religion as Britain entered the age of modernity. While the architects were often religiously sceptical, they were still committed to making beauty, despite their ambivalence about its higher purpose.
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Bibliographical References:
Includes bibliographical references (pages 325-339) and index.
Field 805:
npmlib 11003748 NA5461 H24 yh
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