Cover image for Postcolonising the medieval image
Postcolonising the medieval image
Title:
Postcolonising the medieval image
Author:
Frojmovic, Eva, 1962- editor, author.
ISBN:
9781472481665
Physical Description:
xvi, 302 pages : illustrations ; 25 cm.
Contents:
List of figures -- Acknowledgements -- List of contributors. Introduction / The Franks Casket speaks back: the bones of the past, the becoming of England / Camouflaging and echoing the Latin mass in an illuminated French-language missal / Conquest and coexistence in sixteenth-century Granada: imposing orders in the Alhambra's Mexuar / Beyond Foucault's laugh: on the ethical practice of medieval art history / Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churches / The Muslim warrior at the Seder meal: dynamics between minorities in the Rylands Haggadah / Neighbouring and mixta in thirteenth-century Ashkenaz / Index.
Abstract:
"Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies-such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural vs transcultural, hybridity, presence/absence-can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court"--Back cover.
Bibliographical References:
Includes bibliographical references (pages 261-292) and index.
Field 805:
npmlib 10701956 N5975 P58 ysh
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