Scholarship of Chicana/o art has primarily focused on what is defined by Shifra Goldman and Tomas Ybarra-Frausto as the three stages of Chicana/o art. Scholarship pertaining to these stages covers Chicana/o art created between the 1960s and 1990s, but rarely considers artwork of the twenty-first century. When artwork of the twenty-first-century is discussed it is most often in relation to works of the 1960s and 1970s or to ideas of anti-identity. However, there is a set of Chicana/o artists who in the twenty-first-century have begun to turn towards a new aesthetic, incorporating both Western styles and Chicana/o influences, ideas, and politics. Through an analysis of the abstract and pop art works of Linda Arreola and Linda Vallejo, this paper explores ideas of identity, hybridity, and in-betweenness in relation to the contemporary Chicana/o artist.