French women orientalist artists, 1861-1956 : cross-cultural contacts and depictions of difference
 
Kelly, Mary (Art historian), author.

題名
French women orientalist artists, 1861-1956 : cross-cultural contacts and depictions of difference
 
Cross-cultural contacts and depictions of difference
 
Routledge research in gender and art
 
Routledge research in gender and art.

作者
Kelly, Mary (Art historian), author.

ISBN(國際標準書號)
9781472440310

主要作者
Kelly, Mary (Art historian), author.

出版資訊
Abingdon, Oxon ; New York, NY : Routledge, 2021.

稽核項
xv, 230 pages : illustrations (some color), portraits (some color) ; 26 cm.

叢書
Routledge research in gender and art
 
Routledge research in gender and art.

內容
Marie Élisabeth Aimée Lucas-Robiquet (1858-1959): interior depictions of Maghrebi weavers -- Interior representations of Maghrebi women -- Describing the Maghrebi exterior: women Orientalists' depictions of life and landscape -- Modernism in the works of French women Orientalists.

摘要
"This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists' cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary 'open platform of discussion' approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women's painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land-all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made 'ethnographic' scenes. Kelly argues that French women's perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women's socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women's art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the History of Art, Gender Studies, History, and Middle Eastern and North African Studies"-- Provided by publisher.

主題詞彙
Orientalism in art.
 
Women artists -- France -- History -- 19th century.
 
Women artists -- France -- History -- 20th century.
 
North Africans in art.
 
Women in art.

部分題名
Cross-cultural contacts and depictions of difference

書目索引附錄等註
Includes bibliographical references (pages 200-217) and index.

登入號(微縮資料號)
npmlib 11100198 N8217.E88 K45 os2 yh


圖書館書架號館藏條碼複本資料類型狀態
故宮圖書館N8217.E88 K45 2021111001981*圖書*二館西文書一區