Pictures, not merely photographs : authenticity, performance and the Hopi in Edward S. Curtis's "The North American Indian".

Interpreting grassmere's enslaved community : archaeological approaches to public history at the Nashville Zoo.

Zona libre : conservatism, urban growth, and the rise of the new economy in the San Diego Borderlands.

Chinese porcelain and seventeenth-century Port Royal, Jamaica.

Fred Wilson's mixed metaphors : the politics of museums in the late twentieth century.

Death and the invisible hand : contemporary Mexican art, 1988-present.

Interpreting the transnational material culture of the 19th-century North American plains Indians : creators, collectors, and collections.

Picturing reality : American literary realism and the model of painting, 1875-1900.

Silver, flesh, & holy water : colonial conversions in the French enlightenment.

A reflection of Maya representation, distribution, and interaction : ceramic figurines from the late classic site of Cancuen, Peten Department, Guatemala.

Dressing queen B : beyonce's onstage costumes and fashions.

The life of bodies : considering Inka mummies as material symbols.

Sustainability of American Museums in the 21st century : the many uses of scientific advancement and new media technology.

Carrie Mae Weems and the construction of visual text.

Atlantic world trade and the production of social meaning: Silver, ceramics, and spinning wheels, 1500-1900.

Maya jade T-shape pendants within Mesoamerican wind-jewel tradition.

Watts still rising : visualizing watts's past, present and future through public art and spatial imaginaries.

An analysis of Maya foodways : stable isotopes and oral indicators of diet in West Central Belize = Un analisis de las costumbres alimenticias Maya: isotopos estables e indicadores orales de la dieta en Belice centro-Occidental.

Toward the origins of Peyote beadwork.

Anachronistic America : nostalgia and modernism, 1920-1950.

Daniel Chester French's memorial sculptures and his innovative conceptions of the angel of death.

Boxed in : transcultural practice in the works of nineteenth-century haudenosaunee artists.

Displaying difference : queer exhibition practice in the United States, 1988-2011.

Embracing in-betweenness : new stage in contemporary Chicana art.

Aristotle's ethics in the Stanza Della Segnatura : the activation of the soul of Pope Julius II.

Baring themselves : representations of the female nude by American women artists, 1880-1930.

Zurich in Paris? : dada performance from the Cabaret Voltaire to Relache.

The controversy about French influence : nineteenth-century American artists in France, 1850-1900.

The inscrutable spirit of Louis Sullivan : transcendentalism and American architecture at the turn of the twentieth century.

Consuming surrealism in modern Mexican advertising : remedios Varo's pharmaceutical illustrations for Casa Bayer, S.A.

Optics of American Empire : James Ricalton and Stereoscopic ethnography in early twentieth century India, 1888-1907.

Fecundity, security, eternity : dynastic roles and maternal imagination in Bronzino's chapel of Eleonora di Toledo.

Dante and doctrinal debates : Nardo di Cione's Inferno Fresco in the Santa Maria Novella Church.

Racial mountains, renascent Harlem, and red clay : the Charles Henry Alston mural sketch in the Ackland Art Museum collection.

Making the connection : J.B. Murray and the scripts and spirit forms of Africa.

Z. Vanessa Helder : innovative formalist realism in the Grand Coulee Dam paintings.

An American in greenland : turn-of-the-century arctic visions by Frank Wilbert stokes.

Marfa, Marfa : minimalism, rasquachismo, and questioning decolonial aesthetics in far West Texas.

"Eternal Sunlight" of 1909 : examining the appeal of Joaquin Sorolla's first U.S. exhibition.

Smithsonian American women : remarkable objects and stories of strength, ingenuity, and vision from the National Collection

Fighting against indigenous stereotypes and invisibility : Gregg Deal's use of humor and irony.

Between New York and the andes, abstraction and indigenismo : Camilo Egas's paintings from the 1940s and 1950s.

Teen programs in twenty-first century art museums : a critical analysis of nine American programs.

Treasures and splendors : exhibiting colonial Latin American art in U.S. museums, 1920-2020.

Representing rivalry on the eve of revolution : Adelaide Labille-Guiard's portrait of Madame Adelaide and Elisabeth Vigee-Lebrun's portrait of Marie Antoinette with Her Children.

Quality over quantity : the benefits of visual arts education in museums and schools.

Trading in notions of native : tourist art and authenticity at Cameron trading post.

Me lan o cyte : skin cells and the African American experience.

What about Us? inclusivity, community, and the future of sustainability in African-American museums.

Photographs of the children's march and their afterlives.

Thomas Cole on architecture : picturing the gothic.

Art, affect, and materiality in the construction of collected counter-narratives : three case studies in contemporary art.

Ralston crawford : structures of time.

Design characteristics of China's early Ch'ing Dynasty exteriors and interiors, and their reinterpretation in America.

Objectively art? an examination of the critical reception of Dale Chihuly's work.

The dark passage a film Noir repository and museum.

Art verging on the religious : threads of the spirit in minimal art and beyond.

Nineteenth century stoneware manufacturing at Pottersville, South Carolina : the discovery of a dragon kiln and the reinterpretation of a southern pottery tradition.