The cultural history of the Kushan Dynasty.

Aztec stone boxes : myth, metaphor, and history.

Hidden Mickey : animation's exclusion from art history.

Sourcing freedom : teaching about the history of religious freedom in public schools.

Anselm Kiefer and W. G. Sebald : intersecting approaches to German history.

Interpreting grassmere's enslaved community : archaeological approaches to public history at the Nashville Zoo.

A parade of pictures : an examination of the illustrated evolution of Gion Matsuri throughout Japanese history.

Nature's spectacles : ornament, performance, and natural history in the long eighteenth century.

Rewriting the past : reception and commentary of Nihon shoki, Japan's first official history.

The history and origins of the Opus Alexandrinum pavement in the Trinity Chapel in Canterbury Cathedral, Kent, England.

History, Trauma, and the ethics of remembering in the Early works of Takeda Taijun (1943-1955).

Brief history of an English-Language journal in the Ottoman Empire : the Levant Herald and Constantinople Messenger (1859-1878).

How a successful collecting society can transform an art museum : a history of the Georgia Welles Apollo Society at the Toledo Museum of Art.

«Δυναμη Kαi Παραδoση» Strength and tradition : history and memory of the Greek Genocide in Turkey and its impact on culture and heritage in the United States.

Silk thread : China and the Netherlands from 1600

越南史 = A history of Vietnam

醫學,為什麼是現在這個樣子? : 從宗敎.都市傳染病到戰地手術,探索人類社會的醫病演變史

Reconstruction of knowledge on women's body and beauty during the late Ming period : women's knowledge in Fragrant Toilette to embellish beauty.

The seven rivers : empire and economy in the Russo-Qing Central Asian frontier, 1860s-1910s.

"We must mix together" : race, class, and the Chicago Department Store, 1890-1930.

Zona libre : conservatism, urban growth, and the rise of the new economy in the San Diego Borderlands.

Depicting the sound of silence : angel-musicians in Trecento sacred art.

The sickly female body in Edvard Munch's The Dance of Life (1899--1900).

Pictures, not merely photographs : authenticity, performance and the Hopi in Edward S. Curtis's "The North American Indian".

Breaching taboos : Gustav Klimt's depictions of pregnancy.

Statements in stone : the politics of architecture in Charlemagne's Aachen.

Bronze age crete and art nouveau : a diachronic dialog.

The art of war : the creation of the type A and B sword during the Aegean Bronze Age.

The emulative copy : Andrea del Sarto's 1525 "Pope Leo X with Two Cardinals".

Which Whitney was she : a study of the 2014 Whitney Biennial, Whitney Houston Biennial, and Last Brucennial.

Engendered modern the urban landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott.

Consuming surrealism in modern Mexican advertising : remedios Varo's pharmaceutical illustrations for Casa Bayer, S.A.

Asymmetry and Elastic Sovereignty in the Qing tributary world : criminals and refugees in three borderlands, 1630s-1840s.

The collection of Queen Christina of Sweden : repurposing ancient iconography to redefine modern queenship.

Between New York and the andes, abstraction and indigenismo : Camilo Egas's paintings from the 1940s and 1950s.

Caravaggio : perception shifts through selected twentieth- and twenty-first century museum exhibitions.

Between national imagination and social critique : female figurations in Pang Xunqin and Fu Baoshi's wartime Chinese painting (1930s-40s).

William Gregory Wood-Martin as scientist : exploring the transition from antiquarian to archaeologist at the turn of the 20th century.

The controversy about French influence : nineteenth-century American artists in France, 1850-1900.

Thomas Wijck's painted alchemists at the intersection of art, science, and practice.

Making sense of music in early modern self-portraiture.

Modern mourning : romantic identity in the wake of death.

Preserving cultural heritage in Minya, Egypt.

Cloth as conduit aesthetics, dress, and commerce in mande diasporas.

Silver, flesh, & holy water : colonial conversions in the French enlightenment.

Ogata Korin (1658-1716) and the possibilities of painting in early modern Japan.

The shojo within the work of Aida Makoto : Japanese identity since the 1980s.

Imagining the Supernatural Grotesque : paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties.

Building Columbia.

Anachronistic America : nostalgia and modernism, 1920-1950.

Picturing the system : counter-institutional practices in British art of the 1970s.

Boxed in : transcultural practice in the works of nineteenth-century haudenosaunee artists.

We had faces : morisot, self-portraiture, and the female face in nineteenth-century art.

Costuming the (Post) colonial : how to blow up two heads at once (ladies) and the contemporary Atelier of Yinka Shonibare MBE.

Museums in the construction of national identity in twentieth century Mexico and Turkey.

The function of text : Byzantine reliquaries with epigrams, 843-1204.

The materiality of azurite blue and malachite green in the age of the Chinese colorist Qiu Ying (ca. 1498 - ca. 1552).

Die Gruppe Zero : working through wartime Trauma.

Interpreting the transnational material culture of the 19th-century North American plains Indians : creators, collectors, and collections.

The Mancheng tombs : Shaping the afterlife of the "Kingdom within Mountains" (Zhongshan) in Western Han China (206 BCE–8 CE).

Transnational canon formation : the rediscovery of Ming Yimin ink painting in modern China, 1900-1949.

Transcribing likeness : a study of emerging visual vocabularies from Ottoman early modernity.

Thomas Cole on architecture : picturing the gothic.

Embracing in-betweenness : new stage in contemporary Chicana art.

Writing diversity, interplaying difference : Wang Duo's assorted scripts for Yugu.

The known unknown : mapping ignorance in the age of discovery.

Godefridus Schalcken (1643-1706) : desire and intimate display.

Pala-Period Buddha images : their hands, hand gestures, and hand-held attributes.

"Green architecture" : the interplay of art and nature in Roman houses and villas.

Bloomsbury's Byzantium and the writing of modern art.

"Eternal Sunlight" of 1909 : examining the appeal of Joaquin Sorolla's first U.S. exhibition.

From studiolo to Uffizi : sites of collecting and display under Francesco I de' Medici.

The emergence of the bird in Andean Paracas art, c. 900 BCE - 200 CE.

Representational realism in cross-cultural perspective : changing visual cultures in Mughal India and Safavid Iran 1580-1750.

See man.

Lema Sabachthani.

Art production of the late Ming Court during the Wanli Era, 1573-1620.

The unique late Byzantine image from the epic of digenis Akritas : a study of the Dado Zone in the church of the Panagia Chrysaphitissa.

Building the body of christ : ecclesiastical art, architecture, and identity formation in late antique Italy, 350-450 CE.

Bodily transfer and sacrificial gestures : rethinking the Hungry Tigress jataka in Mogao Cave 254.

A Genuine Dilemma : the Piombino Apollo and Fraud in the first and second-century Greco-Roman art market.

Francois boucher and his Chinoiserie.

Gulshan Muraqqa' : an imperial discretion.

Alfred Wierusz-Kowalski : political struggle and metaphor.

An enigmatic bodegon : discovering a possible identity of Murillo's two women at a window.

Ralston crawford : structures of time.

Fluid lines : tracing Ryakuga-Shiki in Japan and France.

Eco ephemeral Works by Thomas Ferrella & artists' books from Special Collections, UW-Milwaukee Libraries.

Western-style painting in Pan-Asian context : the art and historical legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916.

A world in print : foreigners in Japan's early modern Bankoku jinbutsu-zu.

Fashioning distinction : construction of identity through dress and photography in nineteenth-century Paris.

Making the connection : J.B. Murray and the scripts and spirit forms of Africa.

Virtue from necessity in the urban waterworks of Roman Asia minor.

Fashioning the reclusive persona : Zeng Jing's informal portraits of the Jiangnan literati.

Gao brothers? Execution of Christ; visual lexicon transcending culture, time, and place.

Toward the origins of Peyote beadwork.

Un-Disciplining the art museum : museum educators, institutional structures, and processes of change.

These ways of working : reflections on the collaborative nature of staff roles in creating space in art museums.

Reconsidering everyday life photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.

Repaint, reframe, renew : updating sacred images during the early Italian Renaissance.

The life of bodies : considering Inka mummies as material symbols.

Against Purity : theatricality and Otsuji Kiyoji's APN photographs (1953-54).

The gendered gaze : analysis of three nineteenth-century French prints.

Giovanni Morelli : comparative anatomy, the "Science" of attribution, and racialism.

Performing identity after Yugoslavia : contemporary art beyond and through the ethno-national.

Sanctifying memory : religion and performance in Colombia's first wave of memorial works.

In the kingdom of shadows : secrecy and transparency in eighteenth-century France.

Fernand Leger and the creation of "La Creation du Monde" : "Le Negre", mechanical abstraction, and the spectacle.

Art, affect, and materiality in the construction of collected counter-narratives : three case studies in contemporary art.

Fighting against indigenous stereotypes and invisibility : Gregg Deal's use of humor and irony.

Art on the internet and the digital public sphere, 1994 - 2003.

The orientalist book industry (1840-80) : prisse d'Avennes, systems of borrowing and reuse, and the marketing of Egypt.

In the new body : Simone Forti's dance constructions (1960-61) and their acquisition by the museum of modern art (MOMA).

Marfa, Marfa : minimalism, rasquachismo, and questioning decolonial aesthetics in far West Texas.

Portraits of young artists : artworlds, in/equity, and dis/identification in Post-Katrina New Orleans.

Shaping religious and cultural aspiration : engraved sutras in Southwestern Shandong Province from the Northern Qi Dynasty (550-577 CE), China.