Get - Get together, get along.

Color Gamut comparison methodology and evaluation for textile ink jet printing.

Art museum education and well-being.

Enacting art and place through socially engaged art.

Portraits of young artists : artworlds, in/equity, and dis/identification in Post-Katrina New Orleans.

A comparative analysis of the Chinese art-secured lending market and the U.S. model.

The life of bodies : considering Inka mummies as material symbols.

Bioarchaeological analysis of a Bronze Age skeletal sample from the Qijia culture cemetery Mogou (1750-1100 BCE) in Gansu Province, China.

Sites of new media art : using the internet to explore touch, sociality, and preservation.

Mining, trade and state formation in early China.

Craft specialization and animal products at the Longshan Period sites of Taosi and Zhoujiazhuang, Shanxi Province, China.

Speaking for the Chicken Cup : a case study in Chinese art collecting.

The power of porcelain : authority and landscape in early modern cyprus.

Pansori.

Cultural age markers and differential treatment due to age.

On the periphery of a great "Empire" : secondary formation of states and their material basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000–500 B.C.E.

Metalworking technology and deterioration of Jin bronzes from the Tianma-Qucun site, Shanxi, China.

Lithics and the late prehistoric : interaction on the Southern Columbia Plateau.

From spectator to participant : artist commentary on museum experience.

Sociality, survival, and secrets : making life 'Good Enough' through NGO projects in Kumaon, India.

"Crafting" Hongshan communities? Household archaeology in the Chifeng region of eastern Inner Mongolia, PRC.

These ways of working : reflections on the collaborative nature of staff roles in creating space in art museums.

Places and place : Wen Zhengming's late work and the Significance of Jing (Scene).

The social organization of late Shang China: A mortuary perspective.

Bronze-script calligraphy in the Jiaqing-Daoguang Period (1796-1850) of the Qing Dynasty.

Patterns of consumption : ceramic residue analysis at Liangchengzhen, Shandong, China.

The quest for modernity in art in late twentieth century China : an examination of the discussion on modern art in "Meishu zazhi" (Art Magazine) from 1979 to 1989.

Eating identity : food, gender, and social organization in Late Neolithic Northern China.

A study of Zhu Qizhan's (1892–1996) late years paintings.