Interrelationships in South and Southeast Asian art :  Cham female iconography, Buddhist inscriptions and the seated Buddha image 的封面图片
Interrelationships in South and Southeast Asian art : Cham female iconography, Buddhist inscriptions and the seated Buddha image
題名:
Interrelationships in South and Southeast Asian art : Cham female iconography, Buddhist inscriptions and the seated Buddha image
作者:
Chau, My Ket.
ISBN(國際標準書號):
9781303938566
主要作者:
稽核項:
1 online resource (52 p.).
一般附註:
Source: Masters Abstracts International, Volume: 53-01.
Adviser: Robert L. Brown.
摘要:
The majority of archaeology in Champa consists of Hindu arts and architecture. Buddhism co-existed with Hinduism, but it was not the dominant religion. In 875 CE, Indravarman II was the first Cham ruler to actively support Buddhism with the construction of the Dong Duong temple located in present-day Binh Dinh, Vietnam. An analysis of Sanskrit Buddhist inscriptions helps shed light on Cham royal women. The inscriptions revealed that royal women and the king shared an interest in Buddhism. Narrative relief carvings from two altar pedestals displayed the prominent role of females. In addition, a rare seated Buddha statue with the legs pendant---a posture associated with female goddesses also intensified the importance of female power. In the 9 th century, the female role in art at Do`ng Du&dotbelow; ,o,ng is extraordinary in the Buddhist context. I argue, that the seated Buddha with the legs pendant and narrative relief panels of the Buddha's life depicted at the temple emphasized the female realm.
本地注釋:
School code: 0031.
網址連結:
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學位論文註:
Thesis (M.A.)--University of California, Los Angeles, 2014.
登入號(微縮資料號):
npmlib ysh
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