Mirrors from 500-200 BC Middle Yangzi Region : design and manufacture.

Bodily transfer and sacrificial gestures : rethinking the Hungry Tigress jataka in Mogao Cave 254.

Transnational canon formation : the rediscovery of Ming Yimin ink painting in modern China, 1900-1949.

On the periphery of a great "Empire" : secondary formation of states and their material basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000–500 B.C.E.

Places and place : Wen Zhengming's late work and the Significance of Jing (Scene).

Eating identity : food, gender, and social organization in Late Neolithic Northern China.

In the name of the body : identity, subjectivity, and the global nation in He Chengyao's performance art.

The making of a modern art world : the institutionalisation of Guohua in Shanghai, 1929–1937.

New wine in old bottles : the figure painting of Ren Bonian (1840–1895) in the context of nineteenth century Shanghai.

Mechanism of the production of the early modern Hizen porcelain : a study on the formation of the foundation of modern local industry.

Webs of signification: Representation as social transformation in the muraled tombs of Koguryo.

Negotiating culture : the discourse of art and the position of the artist in 1980s China.