Which Whitney was she : a study of the 2014 Whitney Biennial, Whitney Houston Biennial, and Last Brucennial.

Gulshan Muraqqa' : an imperial discretion.

The function of text : Byzantine reliquaries with epigrams, 843-1204.

Depicting the sound of silence : angel-musicians in Trecento sacred art.

Against Purity : theatricality and Otsuji Kiyoji's APN photographs (1953-54).

The life of bodies : considering Inka mummies as material symbols.

Virtue from necessity in the urban waterworks of Roman Asia minor.

A grain of sand : Yingzao Fashi and the miniaturization of Chinese architecture.

The illustration of the "Meditations on the Life of Christ" : a study of an illuminated fourteenth-century Italian manuscript at the University of Notre Dame (Snite Museum of Art, Acc. No. 85.25).

Claude Monet's "Water Lilies", from paintings to dance.

Fernand Leger and the creation of "La Creation du Monde" : "Le Negre", mechanical abstraction, and the spectacle.

Performing identity after Yugoslavia : contemporary art beyond and through the ethno-national.