Shades of Mokkei: Muqi-style ink painting in medieval Kamakura / Mistakes or marketing? Western responses to the hybrid style of Chinese export painting / "Painted Paper of Pekin": the taste for eighteenth-century Chinese papers in Britain, c. 1918 -- c. 1945 / "Chinese" paintings by Zdeněk Sklenář / Binyon and Nash: British modernists' conception of Chinese landscape painting / In search of Paradise Lost: Osvald Sirén's scholarship on garden art / The return of the silent traveller / Aesthetics and exclusion: Chinese objects in nineteenth-century American visual culture / Exhibitions of Chinese painting in Europe in the interwar period: the role of Liu Haisu as artistic ambassador / The right stuff: "Chinese art treasures'" landing in early 1960s American / Under the spectre of orientalism and nation: translocal crossings and discrepant modernities / The reception of Xing Danwen's lens-based art across cultures / Selling contemporary Chinese art in the West: a case study of how Yue Minjun's art was marketed in auctions