Music, art and diplomacy : East-West cultural interactions and the Cold War 的封面图片
Music, art and diplomacy : East-West cultural interactions and the Cold War
題名:
Music, art and diplomacy : East-West cultural interactions and the Cold War

East-West cultural interactions and the Cold War
作者:
Mikkonen, Simo.
ISBN(國際標準書號):
9780367597283
出版資訊:
London : Routledge, Taylor & Francis Group, 2020.
稽核項:
xx, 180 pages ; 25 cm
一般附註:
"First published in 2016 by Ashgate Publishing"--Title page verso.
"An Ashgate book."
內容:
Introduction to the logical of East-WestArtistic Interactions-- Mutually assured distriction:VOKS and artistic exchange in the early cold war-- Friendship of the musicians:Anglo-Soviet musical exchanges 1938-1948-- Gazong at thr baltic:tourist discourse in the cinema of the baltic sea countries--The real ambassadors? the cleveland orchestra tours the soviet union,1965-- Pianist Sviatislav Richter:the soviet union lanches a "cultural sputnik" to the United States in 1960--Student intercations,race and the media: the Oberlin college choir 1964 tour of the USSR and Romania-- Breaching the Iron Curtains:Russian "Theatre Tourists" to Eastern Europe ,1965-1981--Ballet as a Tool for Cultural Diplomacy in the Cold War:Soviet Ballets in Paris and London,1954-1968--Conclusion
摘要:
Music, Art and Diplomacy shows how a vibrant field of cultural exchange between East and West was taking place during the Cold War, which contrasts with the orthodox understanding of two divided and antithetical blocs. The series of case studies on cultural exchanges, ranging from the 1930s to the 1980s, cover episodes involving art, classical music, theatre, dance and film. Despite the fluctuating fortunes of diplomatic relations between East and West, there was a continuous circulation of cultural producers and products. Contributors explore the interaction of arts and politics, the role of the arts in diplomacy and the part the arts played in the development of the Cold War. Art has always shunned political borders, wavering between the guidance of individual and governmental patrons, and borderless expression. While this volume provides insight into how political players tried to harness the arts to serve their own political purposes, at the same time it is clear that the arts and artists exploited the Cold War framework to reach their own individual and professional objectives. Utilizing archives available only since the collapse of the Soviet Union, the volume provides a valuable socio-cultural approach to understanding the Cold War and cultural diplomacy. --Book Jacket.
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合著或輔助作者:

書目索引附錄等註:
Includes bibliographical references (pages 161-174) and index.
登入號(微縮資料號):
npmlib 11003742 ML3916 M8736 yh
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