Four heavenly kings : iconography and symbolism seen through literary evidence and imagery.

Transnational canon formation : the rediscovery of Ming Yimin ink painting in modern China, 1900-1949.

Print Culture in Victorian England : the Ottoman Empire at the great exhibition of 1851.

Foreign effect on Indian Buddhist art.

Calligraphy inspires furniture.

Botanical resource use in the bronze and iron age of the Central Eurasian Mountain/Steppe interface : decision making in multiresource pastoral economies.

Portrait of a landscape : depictions of the Meru Cosmos in Buddhist art & culture.

The quest for modernity in art in late twentieth century China : an examination of the discussion on modern art in "Meishu zazhi" (Art Magazine) from 1979 to 1989.

On the periphery of a great "Empire" : secondary formation of states and their material basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000–500 B.C.E.

Places and place : Wen Zhengming's late work and the Significance of Jing (Scene).

好詩 : 從先秦到明清,回到初相遇的一刻

禪의世界 : 普照國師와松廣寺